Described as "a superb singing actress," and “a possessor of a generous dramatic soprano instrument and passionate acting skills,” soprano Alexandra Lang is rapidly gaining recognition for her musical integrity, distinct vocal color and versatility. A native of Atlanta, she currently resides in New York City. Her recent Ariadne with Utopia Opera was described as "satisfyingly lush to the ears." Recent operatic roles include the title roles in Donizetti's Anna Bolena and Puccini's Tosca, Leonore in Beethoven's Fidelio, Donna Anna in Mozart's Don Giovanni, and the title role in Ariadne auf Naxos.
Ms. Lang has appeared at the Metropolitan Opera Guild, the Boston Public Library, The Great Hall at Faneuil Hall, Jordan Hall, the Dimenna Center for Classical Music, Bruno Walter Auditorium at Lincoln Center, and Carnegie’s Weill Recital Hall. She has performed with New Camerata Opera, the NEMPAC Opera Project in Boston, New York Opera Forum, New York Conductors Symphony, Utopia Opera, Peach State Opera, Nevada Opera, Cantanti Project, the Brooklyn Symphony Orchestra, New York Lyric Opera Theatre, and the New York Opera Exchange Orchestra.
Last season, Ms. Lang sang her first Tosca in concert at The National Opera Center and joined the Martina Arroyo Foundation on tour as Gertrud in Humperdinck's Hansel & Gretel. She also attended the Dramatic Voice Symposium in New Orleans to coach Wagnerian repertoire with bass-baritone Greer Grimsley.
In the 2017-2018 season, Ms. Lang made her first appearance with The Metropolitan Opera Guild, performing excerpts of Mimì in Puccini’s La bohème. She also appeared in the title role of Anna Bolena with New York Opera Forum. Recent seasons have included a concert performance as Gerhilde in Wagner's Die Walküre and role debuts of Rosalinde in Johann Strauss' Die Fledermaus and Chrysothemis in Richard Strauss' Elektra, both with New York Opera Forum.
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Following her debut in the title role of Massenet’s Manon at Opera in the Ozarks, Ms. Lang quickly entered the young dramatic repertoire, appearing as Lady Billows in Benjamin Britten's Albert Herring at the NAPA Music Festival and as Fiordiligi in Mozart's Così fan tutte on tour in Georgia. She is an avid interpreter of contemporary music, singing the title role in Tom Cipullo’s Lucy with Nevada Opera, Ms. Hufstedler in the world premiere of Milton Grainger's Angry Birdsong in Atlanta, and creating the role written for her, Sibyl Vane, in Jeffrey Brody's The Picture of Dorian Gray in Boston.
She has sung the National Anthem at Boston's historic Fenway Park and is an original co-founder of the New Camerata Opera in New York. In early 2020 Ms. Lang made her first appearance with Underground Salon NYC, where critics took note of her “impressive vocal effects including a lovely liquid trill and a stunning climax.”
Next summer the soprano will attend the Mostly Modern Festival in Saratoga Springs, NY, where she will perform contemporary opera and song in concert at the Arthur Zankel Music Center. In March, Ms. Lang will be presented in recital on Sparrow Live, classical music's newest online platform. And later this month she joins Christman Opera Company online for their Voices Raising Voices initiative, a project committed to engaging artists of color, women, and members of the LGBTQIA+ community, where she will perform a piece by Canadian pianist and composer Maria Thompson Corley.
Currently, Ms. Lang is featured in the title role in Promenade Opera Project's virtual production of Beethoven's Fidelio.
© 2013 ALEXANDRA LANG